The Appeal of Geralt of Rivia

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Image of the cover of The Last Wish taken from Goodreads.

 

When I was a kid, I wanted to grow up to hunt and kill monsters. Such a desire led me through many interests over the years, as well as the inevitable realization that the only real monsters in the world were all human beings–something that Geralt of Rivia, the Witcher, also realizes in his own adventures. My first experience with Geralt came in the second Witcher video game. After that, I read The Last Wish (a collection of early short stories about the character), played the original Witcher video game, began working my way through Andrzej Sapkowsi’s other Witcher books, and then lost several months of my life to The Witcher III: Wild Hunt. I have no regrets.

The appeal of Geralt as a character is manifold. He is different; he is other. The mutations that allow him to hunt and fight monsters also make him a pariah, and Witchers are often seen as half-monsters themselves. His outsider status within his own story coupled with his deep, heartfelt distrust of authority have always been positives for me, and his near-inability to be impressed with anyone else effectively makes Geralt my spirit animal. He has little time for the artificial institutions of self-important humans, and is usually far more comfortable on the road or knocking a few back with a band of dwarves than within a city’s walls. I must say that I agree in total.

I eagerly await Henry Cavill’s performance in the upcoming Netflix Witcher series.

 

If you’re a fan of books and hot beverages, check us out at Blue Spider Books. And check out our blog here!

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